Category: Albistea

  • OTS, THE PAST IN THE PRESENT

    OTS, THE PAST IN THE PRESENT

    5 NOMINATIONS AT THE 29TH MAX AWARDS

    The 29th Max Awards have announced the nominations for the 2025-2026 edition, and OTS, by Haatik Dantza Konpainia, has received five nominations.

    In OTS, we did not want to simply remember the past, but to work with it in the present. The sound is not a document left behind; it is something that happens between bodies and listening. On stage, the past is used again, here and now.

    The nominations have been received in the following categories:

    • Best Dance Production

    • Best Choreography

    • Best Original Score

    • Best Male Dance Performer – Jon Arsuaga

    • Best Dance Ensemble

     

    These five nominations recognise different artistic aspects of the work: creation, choreography, music and performance. Throughout its journey, OTS has received a strong reception and recognition within the Basque contemporary scene, and this acknowledgement now extends to the national context.

     

     

  • “Errimak bi oinetan” · FINAL PERFORMANCE AT PETRITEGI

    “Errimak bi oinetan” · FINAL PERFORMANCE AT PETRITEGI

    February 27 · €38 · Performance + bertso dinner · Limited capacity (reservation required)

    On February 27, we will present the final performance of the dance piece “Errimak bi oinetan” at Petritegi Sagardotegia, as part of a double celebration: Petritegi’s 500th anniversary and Haatik Dantza’s 15th anniversary. It will be a special evening—an encounter where cider culture, the universal language of dance, and the power of live bertso come together.

    Everyone attending will be part of the celebration.

    After the performance, guests will be able to enjoy a bertso dinner with cider in the warm atmosphere of Petritegi. During dinner, Sustrai Colina and Maddalen Arzallus will bring words and rhythm to the moment, adding another layer to the celebration: community, humor, emotion, and connection.

    During dinner, Sustrai Colina and Maddalen Arzallus will bring words and rhythm to the moment.

    This event is more than a performance: it is an excuse to celebrate an anniversary and, above all, an invitation to share table and space. Tradition and contemporaneity will meet in the same night, and everyone attending will be part of the celebration.


    Practical information

    • 📅 Date: 2026/02/27
    • 📍 Venue: Petritegi Sagardotegia (Astigarraga)
    • 🕗 Schedule: Doors open 18:30 · Performance 19:00 · Bertso dinner 20:30
    • 💶 Price: €38 (performance + dinner + cider)
    • 🎟️ Reservations: petritegi.eus
    • ⚠️ Limited capacity / Reservation required

  • THE 8TH EDITION OF THE PASAIAKO DANTZA FESTIBALA IS UNDERWAY!

    THE 8TH EDITION OF THE PASAIAKO DANTZA FESTIBALA IS UNDERWAY!

    Pasaiako dantza festibalaren 8.edizioan parte hartzeko proposamenak jasotzeko deialdia zabalik dago. Deialdia euskal sortzaile eta dantza konpainiei zabaltzen diegu.

    The Pasaiako Dantza Festibala has become a major event within the network of street performing arts festivals in the Basque Country, and once again we are launching this new edition with great enthusiasm and the desire to make it unforgettable.

     

    Since its beginnings, the main goal of the PDF has been to bring dance and the performing arts closer to the citizens of Pasaia and its surroundings, attracting new audiences and creating new ways to promote and strengthen our community. At the same time, the festival aims to boost local creativity, making it once again a showcase and a home for Basque dance companies.

     

    We therefore invite creators and companies from the seven provinces of the Basque Country to submit their short and medium-length pieces, ready to be performed next June. As this is a street festival, the pieces must be created or adapted to be performed in public spaces or non-conventional venues.

     

    In addition, as the PDF aims to be a participatory, equal and inclusive festival, if you wish to propose any complementary activities (workshops, talks, exhibitions, etc.), we would be delighted to hear your ideas and consider them.

     

    Deadline: You have until November 14th to submit your proposals through the form available on our website: www.pasaiakodantzafestibala.info

     

    Don’t miss this unique opportunity to help us write the next chapter of the Pasaiako Dantza Festibala. We can’t wait to hear from you!

     

    J.A.

  • HERRI GOGOA, BACK TO CATALONIA

    HERRI GOGOA, BACK TO CATALONIA

    The spirit of Herri Gogoa, an icon of Basque experimental music, travels to the Fira Mediterrània of Manresa, in tribute to the cultural support received in Catalonia. Through dance and music, a new dialogue opens between the Basque Country and Catalonia.

     

    In the world of music, record labels have historically acted as guardians of culture, promoting artists and songs capable of defining entire eras. In that context, Herri Gogoa (1967–1980) became the jewel of modern Basque discography.

    It is no coincidence that a record label that never officially existed found allies in movements such as the Nova Cançó catalana; both were sisters in cultural resistance during Franco’s dictatorship. While the Basque Country sang in Euskera, Catalonia sang in Catalan, and EDIGSA, the Barcelona label distributing both, became their lifeline. Under the Edigsa/HG brand, Herri Gogoa drew an exceptional portrait of the experimental and vibrant music created in the Basque Country.

     

     

    We travel to the Fira Mediterrània of Manresa with the desire to bring this spirit to where it once found refuge, returning the favor received.

    It is not a circle closing, but a dialogue reopening — between music and dance, between the Basque Country and Catalonia, between past and present, between body and sound.

     

     

    A.B. 2025

  • ONCE AGAIN WITH JONE SAN MARTIN

    ONCE AGAIN WITH JONE SAN MARTIN

    We carried out IOI’s first creation week at Juanba Berasategi in Pasaia, in collaboration with Jone San Martin. The dance performance, designed for the street and unconventional spaces, is underway, and its premiere will take place in May.

     

    IOI has begun its first creation week at Juanba Berasategi in Pasaia. Once again, we are collaborating with Jone San Martin, this time to develop a new dance performance designed for the street and unconventional spaces.

    During this residency, the team’s strong connection was evident, generating a very productive dynamic. Significant progress was also made in production: after months of work, Ikerne Jiménez presented her scenography proposal, and Ramon García unveiled an attractive wardrobe based on a solid concept.

    In terms of dance, Jone San Martin built on the lines developed in the OTS work. She focused especially on exploring new relationships between dancers and the audience, aiming to place the piece in the street or unconventional spaces.

    Additionally, Manu Gaigne will once again lead the music during the performance, demonstrating his expertise and ability to guide the scenes. His skill in shaping and defining each scene was particularly notable.

    The result was the first presentation at San Pedro’s Lonja: a special rehearsal where the boundaries between stage and audience blurred, and we all completed the experience together.

    Our warmest thanks to all the collaborators who joined us — the residency was enriching for everyone. The next work session will take place in March, and the performance’s premiere will be in May.

    A.B.2025

  • DANIEL ABREU AMONG US AGAIN

    DANIEL ABREU AMONG US AGAIN

    Wow…! What a start to the season! Yes, we kicked off September with great energy thanks to Daniel Abreu’s five-day workshop… what a boost!

    After the wonderful experience of his weekend workshop last year, it was once again a pleasure to have him as a teacher. We were left wanting more, and this year we were lucky to welcome him back here, in the Basque Country, a place he holds so dear.

    He is a dancer, choreographer, creator, and teacher with a long career, and his knowledge and wisdom in all these fields are undeniable.
    Beyond his ability to create an excellent working atmosphere within the group, his way of “reading” bodies is subtle and fast, guiding dancers exactly where they want to go. Throughout the week, he offered a variety of dynamics, always listening to the dancers’ suggestions and adapting to their needs. It has truly been an honor to have him among us again, not least because he is also such a kind and lovable person.

    This year, however, both we as organizers and the dance community feel sad, as this has been the only workshop we were able to carry out in the 7th edition of the (h)ik dantza project, due to a lack of financial resources.

    Nevertheless, we want to thank Dantzagunea once again: without their support, this wonderful workshop by Daniel Abreu would not have been possible. And thanks also to you, dancer, for filling the space with positive energy and enthusiasm throughout the five days of the workshop.

    Let’s hope 2026 brings us the chance to enjoy a wider range of workshops!

     

    A.L. 2025

  • URAN-ZU: THE ENCOUNTER BETWEEN MUSIC AND DANCE

    URAN-ZU: THE ENCOUNTER BETWEEN MUSIC AND DANCE

    On August 16th, in Hondarribia and as part of the San Sebastián Musical Fortnight, we, Haatik, shared the stage for the first time with accordionist Iñaki Alberdi. Like a polyhedron, seen from many angles and reflections, everything came together in a single piece called Uran-zu.

    Traditional Basque music and classical music met between the breath of the accordion and the movement of our bodies. The repertoire proposed by Alberdi —Basque folk melodies alongside works by Arriaga, Francisco Escudero and Félix Ibarrondo— brought us both roots and wings: earth and air, past and present, old voices and new ones.

    Through dance we gave sound a body, and sound became movement: the atmosphere created on stage immersed the audience in a wave of emotion and imagination. For a moment, we all became part of that story, told without words yet fulfilling the need for all of them.

    This collaboration has shown us how much strength lies in encounter, how many possibilities in dialogue, and how much beauty can emerge when two distinct artistic languages unite. The warm welcome in Hondarribia filled us with joy, and we are certain that this path will not end here.

  • TICKETS ON SALE!

    TICKETS ON SALE!

    Premieres on March 8 at Donostia’s Gazteszena Theater!

    For the first time, you’ll have the chance to see “OTS,” a work created to reinterpret the avant-garde cultural movement reflected in the first Basque record label.

    The “Herri Gogoa” label laid the foundation for modern Basque music production, uniting diverse artistic expressions: traditional folk music, classical compositions, political songs, contemporary works, and rock—all driven by a single ethos: passion and desire. From Lourdes Iriondo to Mikel Laboa, and from Karmelo Bernaola to Shegundo Galarza, this label demonstrated an untiring commitment to highlighting the contemporaneity of Basque music.

    Haatik Dance Company had the extraordinary fortune of working with Jone San Martin Astigarraga, an internationally renowned dancer and creator, as a guest choreographer in the creation of the work OTS.

    Basque dances are unique treasures, and we immersed ourselves in them throughout the creative process for OTS. They became a vital source of inspiration, and by studying and reinterpreting them, we discovered new ways to structure and “write” in space.

    The dancers of Haatik have a profound understanding of their roots, and the main challenge has been transforming the mechanisms of Basque dance into tools for expressing the intimate and personal emotions of each performer and the group as a whole.

    Don’t miss this opportunity—get your tickets before they sell out!

     

  • THE MAGIC OF EMOTION

    THE MAGIC OF EMOTION

    During the last week of October, we experienced two unforgettable performances that stood out for their ability to evoke emotion and provoke reflection through culture and art. As part of the Loraldia Plaza program, the play LAU EME, presented in Arrigorriaga, offered a profound and moving perspective on the history of women. Simultaneously, at the Manuel Lekuona Kultur Etxea in Lasarte, the piece UR BIZTAN bid farewell to its audience with a blend of documentary and dance.

    Both events celebrated the beauty of dance and the power of creativity, leaving indelible emotions and memories in the hearts of the audience.

    *Image gallery at the end.


    The Magic of Women’s History at Loraldia Plaza

    On October 24, we attended the Abusu Kultur Zentroa in Arrigorriaga as part of the cultural project Loraldia Plaza. There, the play LAU EME unfolded its special magic, leaving a profound impression on all in attendance.

    Aimed at creating a space for reflection, the play revisited the history of women through words, bodies, and emotions. It offered the audience an opportunity to reflect and open their minds to new perspectives. It did not disappoint: attendees were completely captivated.

    Once again, Loraldia Plaza underscored the power and importance of culture, with LAU EME taking center stage as a true highlight of this initiative.


    Farewell to UR BIZTAN

    Just two days later, on October 26, we presented the final performance of UR BIZTAN at the Manuel Lekuona Kultur Etxea in Lasarte. To open the event, the audience had the chance to enjoy a beautiful documentary exploring the origins and creative process of the piece. This moment offered a unique opportunity to understand the context of the dance and gain deeper insights into the vision of its creators. Together, it was a deeply moving experience.

    The performance, like the ones before it, was extraordinary. The warm reception from the audience, the applause, and the emotion-filled silences revealed the impact of the piece. The moments experienced on stage were truly unforgettable, and we are certain they will remain in our memories for a long time to come.

    Regarding the music, we are excited to share some excellent news: under the direction of the talented composer Pascal Gaigne, the pieces performed during the play are being recorded in the studio. Very soon, these inspiring melodies will be available on our favorite playlists, allowing us to relive the atmosphere of this dance piece and find daily inspiration.

  • 5 NOMINATIONS FOR THE MAX AWARDS!

    5 NOMINATIONS FOR THE MAX AWARDS!

     Of the 529 enrolled in the XXVI. Max Performing Arts Awards, the highest figure in history, 168 have been selected in the first phase. He received five nominations to the Haatik Dance Company for the shows ‘Ur’ and ‘Ur bizitan’:

    UR BIZITAN – Better dance show.

    UR – The best show for the street.

    IÑIGO ETXEBERRIA – Best dancer by Ur Bizitan.

    JON ARSUAGA – Best dancer by Ur Bizitan.

    UR BIZITAN – The best productive work.

    After this first phase of selection, a court composed of the three presidents of the territorial jurors and four personalities of the Performing Arts will be in charge of deciding the finalists of the 20categories attending the twenty-sixth edition of the Max Awards of the Performing Arts
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    The awards ceremony will take place on April 17, 2023 at the Gran Teatro Falla de Cádiz
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    The Max Awards of the Performing Arts were created in 1998 by the General Society of Authors and Editors, in order to reward and recognize the work of professionals and the quality of the most outstanding productions of the year in the field of the Performing Arts.
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    The travelling character and the choice of emblematic spaces for the Max Awards Gala represent one of the hallmarks of its undisputed uniqueness. Thus, each year, these awards travel with their festive and spectacular luggage from one autonomous community to another as a metaphor for the tours of theatre and dance companies, turning the performing arts into a living and active art in our country, and an extremely important reference of our cultural wealth.

    INFO + :  https://www.premiosmax.com


  • LAN BERRIA sorkuntza prozesuan

    LAN BERRIA sorkuntza prozesuan

    Gure buruak lanean dira berriz, oraingoan kalean eskeintzeko sorkuntza labur bat da esku artean degun proiektua. 2018ko Udaberrian aurkeztuko degu eta mimo eta ardura handiz lantzen ari gera. Gaia zeresan handikoa izanik, ideiak antolatu, dokumentatu, guzti honi forma ematen hastea izan da lehen pausoa. Eta behin hau eginda badegu lanean hasteko abiapuntu bat:


    Lau emakume, lau emakume borrokan. Haien eskubideengatik borrokan. Aurrerapen handiak izan arren, lorpenak ematen ari diren arren, erne jarraitu behar delako. Amore eman gabe… Dagoeneko ez dira haien semeen eta familiaren zaintzaile hutsak, apurka haien lana eta horien baldintzak hobetzen doaz, sufritutako korse eta jantzi deserosoetaz aske dira orain, gizartearen erabakietan zeresana dute…

    BAINA AMAITU AL DIRA BORROKA EGITEKO ARRAZOIAK? EZ.

    Oraindik, matxismoaren arrastoak gizartean jarraitzen dute emakumeen bizi eta lan baldintzen kalterako. Berdintasuna aldarrikatuz, borroka egin zuten emakume eta sufragista guztiengatik,

    GARRAXI EGIN DEZAGUN!

    LAN BERRIA sorkuntza prozesuan I haatik dantza konpainia
    LAN BERRIA sorkuntza prozesuan I haatik dantza konpainia

    EUSKAL EMAKUMEA:

    Historian zear, euskal emakumeak egunsentitik gauerarte lan egin dute, semeak erditu, etxeataz, familiataz, animalietaz eta baita baratzetaz arduratu dira. Sareak josi, arraia eta barazkiak saldu eta senarren ondoan borrokatu dute. Euskal matriarkatu ezagunak zerikusi gutxi du adimen sinpleek egozten dien agintaritzarekin eta asko aldiz sinesmen zaharrekin. Euskaldunen aintzinako erlijioa matriarkala zen, jainkosa ama batean sinesten zuten, kristautasunak irudikatzen zuen patriarkalaren aldean.

     

    EMAKUMEZKOEN JANTZIAREN BILAKAERA:

    Historian zear emakumezkoak erabilitako jantziek historiako gertakariak ulererazteko balio du. Soineko baten luzera, bat edo beste izatea, edo gerriaren kokapena ez ziren modak besterik gabe, gizartearen bilakaeraren adierazgarri errealak baizik.

    Horregatik, jantzietan aurkitzen degu emakumeen borrokaren adieraz bide izango den metafora, eta sorkuntza prozesuan kontuan edukiko degun zutabeetako bat izango da.